Domenic Barbero Cinematography

CORPORATE/COMMERCIAL/NARRATIVE/MUSIC VIDEO/DOCUMENTARY

NORTHWEST CAMERA CO. - OWNER

CINEMATOGRAPHER/DIRECTOR

ARRI ALEXA MINI - RED EPIC DRAGON -RED EPIC W- CANON C300 MARK II - CANON C300 - URSA MINI PRO 4.6k - A7s/r MARK II - MOVi M15 - INSPIRE 2 X5S

Owner/Op

Domenic Barbero is a freelance director of photography and creative director. Domenic resides in Seattle but works all over the west coast. He is a graduate of the Northwest Film School. Domenic spent time living in LA working for producers in the early 2000's. Now his focus to put his creative passion into feature length narrative, documentary, commercial,

CALL OR TEXT 10am-5pm Mon-Sat for rates and availability

360.319.6667

 

 

Demystifying the RED Workflow

There are lots of misconceptions about the intensity and difficulty of the RED workflow in post. But now, more than ever, is it easy to work with RED footage and the r3d codec. With programs like the new Adobe Premiere cs6 suite and Final Cut Pro X, working with RED and raw footage has never been easier. 

Now there are quite a few haters out there against FCPX but for what it is, it will handle most small projects no problem. If I was editing a feature, I would probably go with premiere. The little stuff though, Its hard to compete with the ease of FCPX. 

Here's a little tutorial showing some of the processes to ingest and work with RED within FCPX and REDcine-X, RED's proprietary footage handling software that is free from there website at www.red.com

The world is beautiful, it's our job to capture it